Monday, 9 May 2016
The first day of college - again, remember the end of Boyhood? - is just over three days away, and freshman Jake (Blake Jenner) rocks up on campus, The Knack's My Sharona thumping from his car's speakers like a fanfare announcing not just a new wave of music, but a new decade and a new chapter in Jake's life. It was at this point, seconds into the film, that I suspected I would fall for it; my suspicions were confirmed shortly thereafter when Jake and his crew of new housemates executed a flawless drive-by rapalong to The Sugarhill Gang's Rapper's Delight. A mile-wide smile slapped itself across my chops and hardly budged until the end credits, when it only got wider. (Trust me on this one: Marvel can only dream of a post-credits sting as fantastic as this film's.)
You don't have to be a fan of '80s music to love Everybody Wants Some!!, but it helps. You do have to be a fan of Richard Linklater's style of filmmaking though; don't go looking for convoluted plotting or far-reaching character arcs here. You're spending a few days following the adventures of a group of young men whose principal interests are babes, booze, bongs and baseball, and the pursuit of all these forms what can loosely be called the plot. But there's much more going on beneath the surface: Jake's new digs are in one of two houses containing other baseball-playing freshmen, sophomores, juniors and seniors, and his navigation of the shifting social structures at work in this animal kingdom form his journey through the film.
And so, in a world with only about two actual adults (a baseball coach and a history professor, neither of which are treated with much respect), it's up to the students to determine the men from the boys. Many of the seniors look about 35 thanks to some enviable facial hair, but it's Tyler Hoechlin's McReynolds who's ostensibly the alpha male - although Linklater gleefully turns the concept on its head by dressing him in crop-tops, tight shorts and knee-high socks. In fact most of these pussy-hungry menchildren strut about in outfits offering the least room for manoeuvre while playfully slapping each other on the bottom; the thematic seam of discovering who you really are runs through Everybody Wants Some!! at multiple strata, and one of its many pleasures is only realising some of them days - if not weeks - after viewing.
As that final treat over the end credits sends you home with a doofus grin, you wonder what might become of Everybody Wants Some!!'s semi-bright young things. They've tried everything from disco to country to punk, and it's hard to tell if any of them are any closer to finding themselves than they were when My Sharona pointedly announced a new dawn at the film's opening. But Linklater's intention is not to drone on about tedious lesson-learning or the acquisition of crucial life skills; instead he deliberately leaves his characters suspended in that magic hour when actions had no consequences and anything was possible. That's obviously just the way he prefers to remember his college days, and it's the way you'll want to remember them too.