Wednesday, 9 December 2009
But I digress, and not for the first time. A couple of years ago Martin Scorsese parped out the second best film he ever made. It was ten minutes long, hardly anyone saw it and it was a commercial. But it’s chuffing marvellous and I came across it again the other day and thought, “If I can give one gift to the viewers of The Incredible Suit to reward their love and affection, this is it. Although another picture of a pork chop would probably be equally appropriate.”
So here it is; if you’ve got ten minutes to spare and you love Hitchcock, Scorsese or beautiful filmmaking, treat yourself:
There’s so much about this I love: the dissolve from the title card to the violin strings; the massive pull-out from that close up all the way back through the hall and across the corridor, the 1950s Technicolor look, the clothes, the sets, the fall from the balcony… it’s a perfect replica of how Hitch made some of his greatest films.
What I want now is for Scorsese to take on a serious Hitchcock project. Now I know he’s a religious viewer of The Incredible Suit, so listen up Marty: remake one of Hitch’s lesser pictures (I’m thinking Suspicion, The Wrong Man or Topaz), or follow through on one of his many unfinished projects – The 39 Steps sequel Greenmantle, bonkers malfunctioning-eyeball thriller The Blind Man or the Bondesque The Short Night would all be magniferous in your hands. Just do it as well as you did that plonk ad and I’ll be Bagpipes Happychap.
Just for Alfred's sake don’t cast Leonardo DiCaprio in it.
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