tag:blogger.com,1999:blog-8887106662149516337.post727806194201824559..comments2024-03-25T09:14:59.999+00:00Comments on The Incredible Suit: The Incredible Suit's Serious Film Criticism Series - Part 1: "The Father Of Montage", Sergei EisensteinThe Incredible Suithttp://www.blogger.com/profile/02155334068211136650noreply@blogger.comBlogger4125tag:blogger.com,1999:blog-8887106662149516337.post-21913252030849338412011-03-24T15:34:54.414+00:002011-03-24T15:34:54.414+00:00I will read the seriousness of this entry later bu...I will read the seriousness of this entry later but my first reaction is ERASERHEAD!Marge Gundersonnoreply@blogger.comtag:blogger.com,1999:blog-8887106662149516337.post-51772096686608585222011-03-24T10:07:47.569+00:002011-03-24T10:07:47.569+00:00Now that is serious.Now that is serious.TheUnwashedMasshttps://www.blogger.com/profile/03029004262655647715noreply@blogger.comtag:blogger.com,1999:blog-8887106662149516337.post-64812499450252013042011-03-19T00:25:34.137+00:002011-03-19T00:25:34.137+00:00http://www.cineforum.bz.it/pellicola/archivio/film...http://www.cineforum.bz.it/pellicola/archivio/film/rassegne/rarofilm/eraserhead/img/eraserhead1.jpgSam Flynnhttps://www.blogger.com/profile/17332776892172012340noreply@blogger.comtag:blogger.com,1999:blog-8887106662149516337.post-18396968727997493722011-03-17T10:14:55.230+00:002011-03-17T10:14:55.230+00:00Eizenstein was to film directing what Einstein was...Eizenstein was to film directing what Einstein was to theoretical physics. They both liked sticking their fingers in live light sockets.<br /><br />Forget tracks and cranes. As far as I can remember (I may be wrong here. It was in the late 60s that I last saw one of his films.) Eizenstein did not even care to pan or tilt his camera. The action all happened within the static frames and he relied Tony Coxnoreply@blogger.com